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1998-2000
One of my favorite sketchbooks. Contains sketches done in Burlington VT, Eastern Africa, Brooklyn and Latvia.
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2000-2002
A cross-country roadtrip interrupted by 9/11, lots of flights to Los Angeles, drawing at the Radisson in South Brunswick, NJ.
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2002-2004 Moving to Los Angeles, living by the beach, a month in Southeast Asia, getting married in Big Sur, sketchbook stolen on honeymoon.
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 NEW!
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NEW!
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8/2004-8/2005 Back in brooklyn, subway rides new again, organic doodles and plans for Invisibleman.
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9/2005 - 2/2006
This was a good book for me. My subway companion, many good sketches. This one went fast, which is good.
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8/2004 - 2/2006 Never posted this many pages of a book. Drawings from cross-country USA trip, Maine, Düsseldorf, Amsterdam and Copenhagen. Covers a period where I got my drawing mojo back in shape...
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Sketchbooks are where I feel most at home drawing. There is a certain art to keeping a proper sketchbook, and a serious commitment that you must honor with your book. Most importantly: You must pick one book, and stick with it. It helps if it is hardcover, as it reinforces the importance of the book as a volume of your work, and not just a place to scribble down shopping lists and phone numbers (although that is sometimes unavoidable). In general, I try to respect the sketchbook, and not debase it's content with non-art related dribble. Rhodia pads are fine for such scribbling...
I usually have two sketchbooks going at the same time, a smaller more compact pocket version, and a larger 'main' sketchbook. Starting in a blank sketchbook can be very intimidating, and I recommend slowly 'moving into' the sketchbook. Liberal use of stickers, rubber stamps and glued-in photographs can go a long way to making your terrifyingly blank empty book a fertile ground for your future drawings.
The sketchbook very much becomes a sort of diary and journal for me. When I travel, I use it more literally as a journal, recording as many details of my trip as possible. Other times, I may write a few notes down about something I saw, or read...Dating the pages now and then is very important..Though I find that I can usually remember exactly where I was when I drew a given sketch.
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